The rounded rectangular surface of the table thins towards the edges, evoking the shaping of the material over time, a factor that slowly and relentlessly affects the space. The dominance of rounded edges of the whole is associated with organic forms, gives the impression of hovering accentuated by the minimalism of the volume of metal mounts.

“The table is a place for socializing and gathering. The surface of the table invites contact and trust, an experience that begins with touch. The edge of the surface is where that moment begins, and which needs to be attracted, the roundness of the edge offers accessibility, through fine tactility.”


Mladen Orešić is a designer of respectable work, mentor and educator. He initiates, designs synergies and creates fine-tuned teams that can achieve significant progress by accumulating creativity and innovation.

He is the author of concepts of extremely wide application and mass, which brings the design thought and the culture of space closer to all user profiles, making a high standard democratically accessible. He insists on utilitarianism, innovation in technology and aesthetics, a high level of refinement of processes and products. He encourages the development of functional solutions that enrich the living space, and thus life.

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